I
usually don’t write movie reviews but when I see a good film I feel I must
write about it. (the earlier reviews that I wrote were Peepli Live and Tintin)
Kudos
to Gauri Shinde for giving the world a good film in Hindi.
Yes,
this is a movie that will not only run in India, but will have a universal
appeal and audience.
One
of the salient features of this movie is the perfect casting. Be it the mother
in law (Sulabha Deshpande) or the loud mouthed lady at the coffee counter in
New York,
or the ever smiling priest (Ashvin Mathew) from Kottayam (with his
hand movements that is so characteristic
of a Mallu), all were perfectly cast. Most of them underplayed their roles
which was the hallmark of the movie.
Some
of the other character actors that stand out are Mehdi Nebbou who does the role
of Laurent (the French Student). Even though I have seen him on screen with
Leonardo DiCaprio in Body of Lies and as Ali Hassan Salameh in
Spielberg’s Munich, I just could not recognize him as the French guy
Laurent who goes for the English classes with Shashi (Sridevi).
Adil
Hussain as Shashi’s husband has done justice to his role.
In fact I would say
that each one has played their role perfectly. And that includes Amitabh Bachan.
Even though it’s a small cameo role, he did it with ease. I liked his
reply when the US immigration officer asks him the standard question “What
is the purpose of your visit?” to which he replies “To spend some
dollars and help your economy. If
you don’t want it, I can go back”
There
were some fine details in the movie which may go unnoticed like the time when
Shashi and her sister Meera (Sujata Kumar) makes the laddoos at
Manhattan. Shashi rolls the laddoo with her bare hands while Meera does it with
gloved hands (as per the norms by the Europeans and Americans that all edible
items are not be handled by bare hands) From hygiene point of view it may be
true but when it comes to rolling laddoos, you have to feel the
temperature of it constantly to know how firm the laddoos will turn out.
Then
there is the time when Shashi rummages through her hand bag for her cell phone
and in the process keeps the roll of French Laddoo (given by Laurent) down on
the seat and forgets it. A subtle way of showing that she did not accept the
roll given by Laurent.
What I liked best in the movie is the fast editing. No one realises that it is the editing that keeps the pace of the movie.
The song Badla Nazara is fast paced and may sound loud initially, but if you listen to the lyrics, it gives a sense of urgency, to do things fast in a short time. Exactly the situation Shashi is faced with.
The song Badla Nazara is fast paced and may sound loud initially, but if you listen to the lyrics, it gives a sense of urgency, to do things fast in a short time. Exactly the situation Shashi is faced with.
The
Marathi-Hindi song Navrai Maajhi is a perfect example of using Dholki, Banjo,
Harmonium and the Tumbi to give an Indian song a rustic effect.
One
gets to see some parts of Pune as the story is based on a family from Pune
(India) It would have enhanced the authenticity if Shashi had used a few words
of Marathi here and there (though she did mention Laxmi road and Main Street)
If
you found the film colourful, its thanks to the wonderful cinematography by
Laxman Utekar, with his multiple cameras at the wedding scene and the boom
camera at the terrace scene.
Ahhhh
yes, Sridevi’s sarees –beautifully draped and carried with great sense of style. Simple but
wonderfully ethnic , showcasing
the essence of Indian textiles…Khadhi,
Chanderi and then some more….. thanks to Sabyasachi. Though I get the feel that
they must cost a bomb!
And
finally coming to Sridevi, she has proven that emoting and acting can still be
done after a long hiatus of 15 years!
No wonder this movie got a standing ovation
at the Toronto International Film Festival.